The Hazel catkins are in full 'bloom' with the small red female flowers still visible. The Alder female flowers are miniature versions of the old dry cones.
The Hazel bush by the brook in Toft is covered in catkins every year and glows golden. I tried a slow shutterspeed as the catkins blew in the wind.
Wednesday, February 9, 2011
Monday, February 7, 2011
Near Collision
Saturday, February 5, 2011
Bournemouth on a Windy Day
Friday, February 4, 2011
More from Tattersalls
Thursday, February 3, 2011
Visit to Tattersalls
Today we spent the afternoon at Tattersalls Horse Sales in Newmarket. Thank you Anthony for arranging this visit. Great fun though I tended to get carried away with watching the bidding rather than taking photos. First image of the beautiful sales room is 15mm fish-eye view, second 16 mm corrected lens. Then a couple of the auctioneers and a bidder.
More to follow tomorrow.
More to follow tomorrow.
Wednesday, February 2, 2011
Texture Time
I was leaving a house today after doing a framing job in Cambridge and noticed these wonderful suckers from a Virginia Creeper that had been stripped off the wall. I then took a couple more textures - first a small fungus growing through a hoarding on East Road and a brick wall alongside the road that has been eaten into by traffic pollution.
Sunday, January 30, 2011
Saturday Night Comfort
Many thanks to Dave and Sue for excellent hospitality - certainly a beautiful bedroom with splendid four-poster bed and view from the window.
Saturday, January 29, 2011
Against the Light
The sun eventually came out yesterday morning and produced some great backlighting. Original file and monochrome and colour versions of the punting - not sure which I prefer. The shadows looked like a row of masked figures with large noses. The bright light and low angle made interesting shadow patterns at Madingly American Cemetery.
Friday, January 28, 2011
Water Drops
Printing Notes
A further couple of weeks have passed since I last described the stages in producing a screen print from my Winslow Edge image. I am posting a few notes to help me remember so I can repeat the stages later.
Place the film with emulsion side against the backing sheet of the film in a vacuum frame. The positive is between light source and film so exposure is through backing sheet of film.
The mid tone and black were exposed for 1.75 min and the backgroung 3.5 mins 1000 watt UV lamp.
The Film was developed in tray of 1.5% hydrogen peroxide (1 to 11 of St B stock) for 1 min (or 90 secs) shiny side down.
Wash out unwanted emulsion with hand hot water (?41-43C) (shiny side down)
Placed washed film down with matt side onto the screen. Dry and press flat with newsprint and roller.
Dry and use blue masking fluid to cover area around the emulsion. When dry remove backing from film. Attach the screen to the press, put on registration markers for the paper and cover all rest of vacuum bed with newsprint. Ready to spread the ink and start printing.
Place the film with emulsion side against the backing sheet of the film in a vacuum frame. The positive is between light source and film so exposure is through backing sheet of film.
The mid tone and black were exposed for 1.75 min and the backgroung 3.5 mins 1000 watt UV lamp.
The Film was developed in tray of 1.5% hydrogen peroxide (1 to 11 of St B stock) for 1 min (or 90 secs) shiny side down.
Wash out unwanted emulsion with hand hot water (?41-43C) (shiny side down)
Placed washed film down with matt side onto the screen. Dry and press flat with newsprint and roller.
Dry and use blue masking fluid to cover area around the emulsion. When dry remove backing from film. Attach the screen to the press, put on registration markers for the paper and cover all rest of vacuum bed with newsprint. Ready to spread the ink and start printing.
Thursday, January 27, 2011
Owls in Monochrome
I have added a Gallery of Nature Monochrome images to my website today. The medium certainly suits these nocturnal raptors.
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