Panels 2 Windy City

The second panel I worked on was almost straight from the camera and so had very little processing time before printing. Taken on a  windy day in Docklands, London. It was so windy that it was difficult to hold the camera still so I decided on a slowish shutterspeed and to deliberately move the camera up during the exposure. I got so entralled by the colours and abstract images produced that I lost the rest of the group several times. Images 3 and 4 don't fit that well with the other three 'tree' images - will have to return and try and find some more sometime.

 

Trip to London 1

 We preceded a visit to the theatre in London on Wednesday with a look round the Portrait Gallery. It has undergone a lot of renovation work in recent years and now has special blinds that protect the artworks from damage by the sun but also create some fascinating silhouettes. A brief walk to our lunch stop at Ham Yard and then to the Harold Pinter theatre to see The Years - a wonderfully produced and acted play but not for the faint-hearted in places. 

Pine Woods in Full-spectrum Photography

My images using the Full-Spectrum camera  in the pine woods at Sandy on Wednesday confirmed that I was not alone! First this very laid back tree and then all those faces in the dead tree bark - reminded me of a William Blake etching such as the Vision of the Last Judgement. The last image is a bit of colour fun with Foxglove rosettes.

Bristol Abstracts

A few abstracts taken in Bristol on Thursday late afternoon before the rain stopped play. All handheld between 1/50th and 1/8th second just playing with movement, colour and shapes of the water features in Millenium Square etc

Frost Patterns (18th January)

We had a couple of very cold nights before I went to Brighton and these wonderful frost patterns developed on our unheated bedroom window. They made me feel like I am looking up on a snowy starry night in a northern forest!!

Cyanotypes

Yesterday, I shared a day making Cyanotypes with members of Cambridge Camera club. Lots of fun was had doing both wet cyanotypes where various 'chemicals' can be added to the composition before exposing to the sun, and dry cyanotypes done on commercial precoated paper. As so often, it was the detail in some of the images before washing that took my eye.